Louis XV’s Après moi, le déluge was eerily prescient. The French Revolution, after all, did end in the Reign of Terror.
The orthographic differences between the First and Second Folios are surprisingly significant — especially in Coriolanus.
Does Seneca’s Genius-Madness dichotomy still apply in the contemporary world?
It is rather pretentious to rebrand the Harvard comma as “the Oxford comma.”
Camus’ L’Étranger doesn’t have the same nuances in English as it does in the original.