Camus’ L’Étranger doesn’t have the same nuances in English as it does in the original.
Twitter has turned Foucault’s fear of the Panopticon into a self-imposed reality.
The merits of the Oxfordian argument on the Shakespearean Authorship Question have won me over to the Earl’s side.
Richelieu’s influence on Louis XIII isn’t as negative as they say. He did, after all, found the Académie Française.
The problem of modernism isn’t its aesthetics; it’s that only the erudite can fully appreciate it.