Camus’ L’Étranger doesn’t have the same nuances in English as it does in the original.
The merits of the Oxfordian argument on the Shakespearean Authorship Question have won me over to the Earl’s side.
Twitter has turned Foucault’s fear of the Panopticon into a self-imposed reality.
Does Seneca’s Genius-Madness dichotomy still apply in the contemporary world?
Contemporary poetry demonstrates that Wordsworth’s belief that poetry ought to be in the everyday “real language of men” was misguided.